David has begun 2007 designing "Equus" directed by Teri Rata Loretto, "Cloud Nine" directed by Natalie Joy Quesnel and "Edmond" directed by Don Laflamme, all for Algonquin College’s Theatre Department. He as well completed work on Paul Dervis’s production of "Serial Monogamy" for The New Ottawa Reperatory Theatre and has begun designing "Race" for the company. David designed NORT’s 2006 production of "The Last Disciple of Abraham" and has since accepted the role of Company Lighting Designer. He designed "A Night in November" starring Pierre Brault and directed by noted Irish director John Kelly and based upon this production and his design of Mr. Kelly’s Canadian premier of "King’s of the Kilbourne Highroad" has assumed the role of company Lighting Designer for Mr. Kelly’s 730 Productions.

2006 saw David provide lighting design for the North American tour of “Holly Larocque and the Big Band Broadcast”, collaborated with Director Michael Dobbin on the Thousand Islands Playhouse production of “Rope’s End” , designed the Ottawa stopover of South Africa’s “Watoto Choir” and “Talking With” by CanPlay Productions and “Fruitcake Weather”, both directed by Janet Irwin and presented in collaboration with the Ottawa Little Theatre’s Professional Series.

He as well designed the University of Ottawa Theatre Department’s production of “Amphytrion 38”, his sixth show for this client and provided site specific consultation and design for the “Ottawa Fringe Festival 2006”. He has provided lighting design for the Touring Production of "The Magic of Chris Pilsworth" and for musical theatre productions such as "Big River", "Cabaret", "Babies, Babies, Babies", "Man of La Mancha", "Wizard of Oz" and "RAGS" (Orpheus Musical Theatre), "Kiss Me Kate" and "The Fantastiks" for the Ottawa Little Theatre and "Little Shop of Horrors" (J.C.C. Theatreworks).

Dramas include "Crimes of the Heart, "King John", "The Bedbug" and "Under Milkwood" (Ottawa University Academic Hall) as well as "DA", "Witness for the Prosecution", "Gaslight","King of Hearts", "Pygmalion", "Wisdom of Eve", "Opening Night" and "Proof" all with The Ottawa Little Theatre, and "A Family Resemblance", "Of Grace" and "Embedded" (Year One Theatre).

Client and Production Reviews:

"His wealth of theatrical experience coupled with his clever design ability and great colour sense always created the perfect moods" Michael Gareau - Artistic Director - "Big River", "Man of La Mancha" Orpheus Musical Theatre

"Mr. Magladry and his crew were responsible for all lighting, audio and technical requirements. Their work was always professional and of the highest quality and this contributed significantly to the success of the show" "Little Shop of Horrors", Golda Feig - Producer.

"...The sets...were compact and economical and did the job perfectly, while David Magladry's lighting showed them to great effect." "Kiss Me Kate" - Ottawa Little Theatre
Bruce Deachman - The Ottawa Citizen

"The framework, especially Robin Riddihough's memory of Kingsmere set and David Magladry's lighting design are highly effective". - - "Rexy" , Ottawa Little Theatre, Iris Winston, Web Theatre Review,

"...Magladry's lighting is effective and bold - at turns the stage gives off an other-worldly, glamorous red glow. When Don Quixote rises from his deathbed, alive after all, the lighting becomes golden, as if the sun has just come out". "Man of La Mancha" - Orpheus Musical Theatre
Adrienne Ascah - FYI Ottawa (print)

"...Much of the play's success too depends not just on the actor's performances, but on the sensory touches provided by the costumes, the set and the lighting of those, and mention should go to Ann Ricard, Christie Bindhardt and David Magladry for their respective roles" "Man of La Mancha" - Orpheus Musical Theatre
Bruce Deachman - The Ottawa Citizen

'Talking With'	'Andorra'	'The Glass Menagerie'
'Defiled'	'Rags'	'Widower's House'
'Funny Money'
'Gaslight'	'Rope's End'	'Pleasure of His Company'
'Big River'	'Big River'	'Man of La Mancha'
'Embedded'	'Embedded'	'Cabaret'
'Of Grace'	'Witness for the Prosecution'	'Babies, Babies, Babies'